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Dante: The Divine Comedy — Paradiso

The third canticle: Beatrice leads Dante through the heavens to the vision of the Holy Trinity, "the Love that moves the sun and the other stars".

Edition: Project Gutenberg · www.gutenberg.org

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From the opening: Six Sonnets on Dante’s Divine Comedy by Henry Wadsworth Longfellow (1807-1882)

I Oft have I seen at some cathedral door / A laborer, pausing in the dust and heat, / Lay down his burden, and with reverent feet / Enter, and cross himself, and on the floor / Kneel to repeat his paternoster o’er; / Far off the noises of the world retreat; / The loud vociferations of the street / Become an undistinguishable roar. / So, as I enter here from day to day, / And leave my burden at this minster gate, / Kneeling in prayer, and not ashamed to pray, / The tumult of the time disconsolate / To inarticulate murmurs dies away, / While the eternal ages watch and wait.

II How strange the sculptures that adorn these towers! / This crowd of statues, in whose folded sleeves / Birds build their nests; while canopied with leaves / Parvis and portal bloom like trellised bowers, / And the vast minster seems a cross of flowers! / But fiends and dragons on the gargoyled eaves / Watch the dead Christ between the living thieves, / And, underneath, the traitor Judas lowers! / Ah! from what agonies of heart and brain, / What exultations trampling on despair, / What tenderness, what tears, what hate of wrong, / What passionate outcry of a soul in pain, / Uprose this poem of the earth and air, / This mediaeval miracle of song!

III I enter, and I see thee in the gloom / Of the long aisles, O poet saturnine! / And strive to make my steps keep pace with thine. / The air is filled with some unknown perfume; / The congregation of the dead make room / For thee to pass; the votive tapers shine; / Like rooks that haunt Ravenna’s groves of pine, / The hovering echoes fly from tomb to tomb. / From the confessionals I hear arise / Rehearsals of forgotten tragedies, / And lamentations from the crypts below / And then a voice celestial that begins / With the pathetic words, “Although your sins / As scarlet be,” and ends with “as the snow.”

IV With snow-white veil, and garments as of flame, / She stands before thee, who so long ago / Filled thy young heart with passion and the woe / From which thy song in all its splendors came; / And while with stern rebuke she speaks thy name, / The ice about thy heart melts as the snow / On mountain heights, and in swift overflow / Comes gushing from thy lips in sobs of shame. / Thou makest full confession; and a gleam / As of the dawn on some dark forest cast, / Seems on thy lifted forehead to increase; / Lethe and Eunoe—the remembered dream / And…

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Contents (35 sections)

  1. Opening
  2. Canto I
  3. Canto II
  4. Canto III
  5. Canto IV
  6. Canto V
  7. Canto VI
  8. Canto VII
  9. Canto VIII
  10. Canto IX
  11. Canto X
  12. Canto XI
  13. Canto XII
  14. Canto XIII
  15. Canto XIV
  16. Canto XV
  17. Canto XVI
  18. Canto XVII
  19. Canto XVIII
  20. Canto XIX
  21. Canto XX
  22. Canto XXI
  23. Canto XXII
  24. Canto XXIII
  25. Canto XXIV
  26. Canto XXV
  27. Canto XXVI
  28. Canto XXVII
  29. Canto XXVIII
  30. Canto XXIX
  31. Canto XXX
  32. Canto XXXI
  33. Canto XXXII
  34. Canto XXXIII
  35. Six Sonnets on Dante’s Divine Comedy by Henry Wadsworth Longfellow (1807-1882)

How to cite it

Chicago
Dante Alighieri. Dante: The Divine Comedy — Paradiso. Translated by Henry Wadsworth Longfellow. Project Gutenberg, c. 1308–1321; translation 1867. https://www.gutenberg.org/ebooks/1003
MLA
Dante Alighieri. Dante: The Divine Comedy — Paradiso. Translated by Henry Wadsworth Longfellow, Project Gutenberg, c. 1308–1321; translation 1867. https://www.gutenberg.org/ebooks/1003
APA
Dante Alighieri (c. 1308–1321; translation 1867). Dante: The Divine Comedy — Paradiso (Henry Wadsworth Longfellow, Trans.). Project Gutenberg. https://www.gutenberg.org/ebooks/1003

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